From the bestselling author of Turtles All the Way Down and The Fault in Their Stars, a beautiful tale of love, loss and not so fool proof mathematic equations.

When it comes to relationships, Colin Singleton’s type is girls named Katherine.

And when it comes to girls named Katherine, Colin is always getting dumped.

Nineteen times, to be exact.

On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight Judge Judy-loving best friend riding shotgun – but no Katherines.

Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl.

Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself

More traveled to Antwerp as an ambassador for England and King Henry VIII. While not engaged in his official duties, More spends time conversing about intellectual matters with Peter Giles. One day, More sees Giles speaking to a bearded man whom More assumes to be a ship’s captain. Giles soon introduces More to this new man, Raphael Hythloday, who turns out to be a philosopher and world traveler. The three men retire to Giles’s house for supper and conversation, and Hythloday begins to speak about his travels.

Machiavelli composed The Prince as a practical guide for ruling (though some scholars argue that the book was intended as a satire and essentially a guide on how not to rule). This goal is evident from the very beginning, the dedication of the book to Lorenzo de’ Medici, the ruler of Florence. The Prince is not particularly theoretical or abstract; its prose is simple, and its logic straightforward. These traits underscore Machiavelli’s desire to provide practical, easily understandable advice.

The first two chapters describe the book’s scope. The Prince is concerned with autocratic regimes, not with republican regimes. The first chapter defines the various types of principalities and princes; in doing so, it constructs an outline for the rest of the book. Chapter III comprehensively describes how to maintain composite principalities—that is, principalities that are newly created or annexed from another power, so that the prince is not familiar with the people he rules. Chapter III also introduces the book’s main concerns—power politics, warcraft, and popular goodwill—in an encapsulated form.

إطارات متنوعة بجمل رائعة مختلفة

مجموعة من ثمانية اشخاص يدخلون في صراع للبقاء وهم في كل ليلة ما بين حال و حال , وكل حال اغرب من سابقه.